Goa Marathi Film Festival 2025
Quick Answers
Overview:
- Lifetime Achievement Krutadnyata Puruskar to Dr. Mohan Agashe
- Over 15 Marathi films, including unreleased, true-story inspired, and internationally acclaimed titles
- Two short films by Goan filmmakers
- Meet & greet with leading actors and directors
- Workshop on using AI creatively тАУ 8th August by VisualDub.ai
- Featuring 20+ acclaimed Marathi films including:
1. April May 99:
резрепрепреп рдЪрд╛ рдЙрдиреНрд╣рд╛рд│рд╛!
рдЧреЛрд╖реНрдЯ, рдХреЛрдХрдгрд╛рддрд▓реНрдпрд╛ рдПрдХрд╛ рд╢рд╛рдВрдд рдЧрд╛рд╡рд╛рдд рд░рд╣рд╛рдгрд╛рд░реЗрддреАрди рдЬрд┐рд╡рд▓рдЧ рдорд┐рддреНрд░ тАУ рдХреГрд╖реНрдгрд╛, рдкреНрд░рд╕рд╛рдж
рдЖрдгрд┐ рд╕рд┐рджреНрдзреЗрд╢ рдЪреА рдЖрд╣реЗ.. рдордЬреНрдЬрд╛-рдорд╕реНрддреА рдХрд░рдд рд╕реБрдЯреНрдЯреНрдпрд╛ рдШрд╛рд▓рд╡рдгреНрдпрд╛рдЪрдВрддреНрдпрд╛рдВрдЪрдВрд╕реНрд╡рдкреНрди рдЕрд╕рддрдВ.
рдкрдг рдордЧ, рдкреБрдгреНрдпрд╛рд╣реВрди рдЬрд╛рдИ рдпреЗрддреЗрдЖрдгрд┐ рд╣реНрдпрд╛ рддрд┐рдШрд╛рдВрдЪрдВрднрд╛рд╡рд╡рд┐рд╢реНрд╡ рдмрджрд▓реВрди рдЬрд╛рддрдВ. рдореИрддреНрд░реАрддрд▓реЗ
рддрд╛рдг, рдкреНрд░реЗрдорд╛рдЪреА рд╕реБрд░реБрд╡рд╛рдд, рд╕реНрд╡рддрдГрд▓рд╛ рд╢реЛрдзрд╛рдпрдЪрд╛ рдкреНрд░рд╡рд╛рд╕... рдЖрдгрд┐ рддреНрдпрд╛ рдПрдХрд╛ рдЙрдиреНрд╣рд╛рд│реНрдпрд╛рддрд▓реНрдпрд╛
рдХрд╛рд╣реА рдЕрд╢рд╛ рдЖрдард╡рдгреА, рдЬреНрдпрд╛ рдХрд╛рдпрдордЪреНрдпрд╛ рд▓рдХреНрд╖рд╛рдд рд░рд╛рд╣рддрд╛рдд рд╣реНрдпрд╛ рднреЛрд╡рддреА рд╣рд╛ рд╕рд┐рдиреЗрдорд╛ рдмрд╛рдВрдзрд▓рд╛
рдЖрд╣реЗ.
рд╕рд╛рд░рд╛рдВрд╢
резрепрепреп рдЪрд╛ рдЙрдиреНрд╣рд╛рд│рд╛. рдПрдкреНрд░рд┐рд▓-рдореЗрдорд╣рд┐рдирд╛. рдХреЛрдХрдгрд╛рддрд▓реНрдпрд╛ рд╕рдореБрджреНрд░рдХрд┐рдирд╛рд░реА рдЕрд╕рд▓реЗрд▓рдВ рдПрдХ
рдЫреЛрдЯрдВрд╕рдВрдЧрд╛рд╡. рдирд┐рд╡рд╛рдВрдд рд╕рдХрд╛рд│, рд╣рд│реБрд╡рд╛рд░ рд╡рд╛рд░рд╛, рдЖрдгрд┐ рд╕рдореБрджреНрд░рд╛рдЪреНрдпрд╛ рд▓рд╛рдЯрд╛рдВрдЪрд╛ рд╢рд╛рдВрдд рдЖрд╡рд╛рдЬ.
рд╕реБрдЯреНрдЯреНрдпрд╛рдВ рдЪреА рд╕реБрд░реБрд╡рд╛рдд рд╣реЛрддреЗрдп рдЖрдгрд┐ рдЧрд╛рд╡рд╛рддрд▓реЗрддреАрди рдорд┐рддреНрд░ тАФ рдХреГрд╖реНрдгрд╛, рдкреНрд░рд╕рд╛рдж рдЖрдгрд┐ рд╕рд┐рджреНрдзреЗрд╢
тАФ рд╣реЗрд╕реБрдЯреНрдЯреНрдпрд╛ рд╣реБрд▓реНрд▓рдбрдмрд╛рдЬреА рдХрд░рдгреНрдпрд╛рдд рдШрд╛рд▓рдгреНрдпрд╛рдЪрдВ рдард░рд╡рддрд╛рдд. рдХрд╛рд░рдг рдкреБрдврдЪрдВ рд╡рд░реНрд╖рджрд╣рд╛рд╡реАрдЪрдВ
рдЖрд╣реЗ тАУ рдореНрд╣рдгрдЬреЗрд╣реЗ, тАЬрдореЛрдХрд│реЗрдкрдгрд╛рдЪрдВрд╢реЗрд╡рдЯрдЪрдВрд╡рд░реНрд╖тАЭ.
рд╣реЗрддрд┐рдШрдВрдЧрд╛рд╡рд╛рдд тАЬрддреНрд░рд┐рдХреВ рдЯтАЭ рдореНрд╣рдгреВрди рдУрд│рдЦрд▓реЗрдЬрд╛рддрд╛рдд. рдПрдХрдореЗрдХрд╛рдВрд╢рд┐рд╡рд╛рдп рдХрд╛рд╣реАрдЪ рдХрд░рдд
рдирд╛рд╣реАрдд. рдХреГрд╖реНрдгрд╛ рдереЛрдбрд╛ рдЪрд┐рдбрдЪрд┐рдбрд╛ ! рд╡рд┐рд╢реЗрд╖рддрдГ рдореБрд▓реАрдВрдмрд╛рдмрдд. рддреНрдпрд╛рд▓рд╛ рд╡рд╛рдЯрддрдВрдореБрд▓реА рдореНрд╣рдгрдЬреЗ
рдбреЛрдХреНрдпрд╛рд▓рд╛ рддрд╛рдк!
рд╣реНрдпрд╛ рддрд┐рдШрд╛рдВрдЪрдВрд╣реНрдпрд╛ рд╕реБрдЯреНрдЯреАрдЪреНрдпрд╛ рд╡реЗрд│реА рдХрд╛рдп рдХрд╛рдп рдХрд░рд╛рдпрдЪрдВрд╣реНрдпрд╛рдЪреА рдпрд╛рджреА рдард░рд▓реЗрд▓реА рдЖрд╣реЗ.
рд╡рд┐рд╣рд┐рд░реАрдВрдордзреНрдпреЗрдкреЛрд╣рд╛рдпрдЪрдВ, рд╕рдореБрджреНрд░рд╛рдд рдмреЛрдЯрд┐рдВрдЧ рдХрд░рд╛рдпрдЪрдВ, рдЖрдгрд┐ рдХреНрд░рд┐рдХреЗ рдЯ рддрд░ рд░реЛрдЬрдЪрдВрдЪ. рдкрдг
рдЕрдЪрд╛рдирдХ рдкреНрд░рд╕рд╛рджрдЪреНрдпрд╛ рд╡рдбрд┐рд▓рд╛рдВрдиреА рдард░рд╡реВрди рдЯрд╛рдХрд▓рдВрдХреА рддреЛ рдореБрдВрдмрдИрд▓рд╛ рдЗрдВрдЧреНрд░рдЬреА рд╢рд┐рдХрд╛рдпрд▓рд╛
рдЬрд╛рдгрд╛рд░. рд╕реНрд╡рдкреНрдирдВрдлреБ рд╕рдХрддрд╛рдд.
рдХреГрд╖реНрдгрд╛ рдЖрдгрд┐ рд╕рд┐рджреНрдзреЗрд╢рдЪрд╛ рд╣рд┐рд░рдореЛрдб рд╣реЛрддреЛ. рддреЗрдкреНрд░рд╕рд╛рджрд▓рд╛ рдЧрд╛рд╡рд╛рдд рдареЗрд╡рдгреНрдпрд╛рд╕рд╛рдареА рдХрд╛рд╣реАрд╣реА
рдХрд░рд╛рдпрд▓рд╛ рддрдпрд╛рд░ рд╣реЛрддрд╛рдд. рдЖрдгрд┐ рдЕрд╢рд╛рддрдЪ рдЧрд╛рд╡рд╛рдд рдПрдиреНрдЯреНрд░реА рд╣реЛрддреЗрдЬрдпрдЪреА тАФ рдкреБрдгреНрдпрд╛рддреВрди
рдЖрд▓реЗрд▓реА, рд╕реНрдорд╛рд░реНрдЯ, рдЗрдВрдЧреНрд░рдЬреА рдмреЛрд▓рдгрд╛рд░реА, рд╕реЛрд│рд╛ рд╡рд░реНрд╖рд╛рдВрдЪреА рдореБрд▓рдЧреА, рдереЗрдЯ рдХреГрд╖реНрдгрд╛рдЪреНрдпрд╛ рд╢реЗрдЬрд╛рд░реА
рд░рд╛рд╣рд╛рдпрд▓рд╛ рдпреЗрддреЗ.
рдкреНрд░рд╕рд╛рджрдЪреНрдпрд╛ рдЗрдВрдЧреНрд░рдЬреА рд╢рд┐рдХрдгреНрдпрд╛рдЪреНрдпрд╛ рдирд┐рдорд┐рддреНрддрд╛рдиреЗрдЬрд╛рдИ рддреНрдпрд╛рдВрдирд╛ рдЧрд╛рд╡ рджрд╛рдЦрд╡рд╛рдпрд▓рд╛ рд▓рд╛рд╡рддреЗ.
рд╣рд│реВрд╣рд│реВрддреА рдЧрд╛рд╡рд╛рддрд▓реА рд╕рдЧрд│реНрдпрд╛рдВрдЪреА рд▓рд╛рдбрдХреА рд╣реЛрддреЗ. рдкрдг рдХреГрд╖реНрдгрд╛рд▓рд╛ рддрд┐рдЪрдВрд╕рддрдд рддрд┐рдереЗ, рддреНрдпрд╛
рддрд┐рдШрд╛рдВрдордзреНрдпреЗ, рдЕрд╕рдгреЗрдЦрдЯрдХрд▓рдВрдп. рд╕реБрд░реБрд╡рд╛рддреАрдкрд╛рд╕реВрди рддреЛ рддрд┐рдЪреНрдпрд╛рд╢реА рддрд┐рд░рд╕рддрд╛рд╕рд╛рд░рдЦрдВ рд╡рд╛рдЧрддреЛ.
рддреНрдпрд╛рд▓рд╛ рд╡рд╛рдЯрддрдВ рддрд┐рдЪреНрдпрд╛рдореБрд│реЗрд╕рдЧрд│рдВ рдмрд┐рдШрдбрддрдВрдп. рд╡рд┐рд╢реЗрд╖рддрдГ рддреЗрдЬреЗрд╡реНрд╣рд╛ рдПрдХ рдХреНрд░рд┐рдХреЗ рдЯ рдЪрд╛ рдбрд╛рд╡
рд╣рд░рддрд╛рдд рддреЗрд╡реНрд╣рд╛ рддрд░ рддреЛ рдкреЗрдЯреВрди рдЙрдарддреЛ.
рдордЧ рд╕рдЧрд│реНрдпрд╛ рдЧрд╛рд╡рд╛рдЪреА рдкреНрд░реЗрдорд│, рдЖрдЬреА тАФ тАШрднрд╛рдЯреАрдгрдХрд╛рдХреВтАЩ тАФ рдХреГрд╖реНрдгрд╛рд▓рд╛ рд╕рдордЬрд╛рд╡рддреЗ.
рддреНрдпрд╛рдЪрдВрдорди рдереЛрдбрдВ рдкрд╛рдШрд│рддрдВ. рдкреБрдиреНрд╣рд╛ рд╕рдЧрд│рдВ рдареАрдХ рд╣реЛрддрдВ, рдЖрдгрд┐ рдЖрддрд╛ рдЪреМрдШрдВ рдорд┐рд│
реВрди рдорд╕реНрдд
рд╕реБрдЯреНрдЯреНрдпрд╛ рдПрдиреНрдЬреЙрдп рдХрд░рддрд╛рдд.
рдкрдг рдордЧ рд▓рдХреНрд╖рд╛рдд рдпреЗрддрдВ тАУ рдЬрд╛рдИ рд╕рдЧрд│реНрдпрд╛рдВрдирд╛рдЪ рдЖрд╡рдбрд╛рдпрд▓рд╛ рд▓рд╛рдЧрд▓реАрдп!
рдЖрддрд╛ рдХрд╛рдп?
рдореИрддреНрд░реА рдЯрд┐рдХрд╡рд╛рдпрдЪреА рдХреА рдкреНрд░реЗрдо рдХрдмреВрд▓ рдХрд░рд╛рдпрдЪрдВ?
рд╢рд╣рд░рд╛рддреВрди рдЖрд▓реЗрд▓реА рдЬрдп рдпрд╛ рдЧрд╛рд╡рд╛рдЪреНрдпрд╛ рдирд┐рд░рд╛рдЧрд╕ рдЬрдЧрд╛рдд рдмрд╕рддреЗрдХрд╛?
рдЖрдгрд┐ рдпрд╛ рдЪреМрдШрд╛рдВрдЪрдВ рдирд╛рддрдВрдХреБ рдардВ рдЬрд╛рддрдВ?
рд╕рдЧрд│реА рдЙрддреНрддрд░рдВрд▓рдкрд▓реЗрд▓реА рдЖрд╣реЗрдд рддреНрдпрд╛ рдПрдХрд╛ рдЦрд╛рд╕ рдЙрдиреНрд╣рд╛рд│реНрдпрд╛рдд тАУ резрепрепреп рдЪреНрдпрд╛ рдПрдкреНрд░рд┐рд▓-рдореЗ
рдордзреНрдпреЗ!
2. Cineman:
Anand a voluntarily retired teacher, has started a movement to show films to school children in remote villages. Taking seriously the power of film as a medium and its impact on children, Anand continues to work to promote film literacy despite public opposition. Anand and his Children's Film Club have been running an innovative initiative to teach children through cinema for the last 10 years. Noticing his work, a young filmmaker named Omkar meets Anand to make a documentary of his work. Through the process of making the documentary, Anand's struggle to bring the right cinema to these children is highlighted. One day, while showing a movie in a school in a remote village, suddenly the lights go out and the children get to see only half of the movie. There Anand meets 9 year old boy named Ankur who is very talkative, mischievous and intelligent. While talking, Ankur tells the story of a half-watched movie.from here things take an interesting turn and the story goes straight to тАЬHollywoodтАЭ in America. The journey, which started out of love for the medium of cinema takes different turns and takes travelers along to create a bridge to connect two different ends together.
3. Dharmasya:
A widowed father, Digambar Hable, till date is not able to get over an emotionally traumatic incident which took place 22 yrs. back, involving his then fiancee Sowmya. An ayurvedacharya by qualification, he lives in a remote village in Maharashtra, with his 20 yr old daughter, Renukeshwari. A normal looking Renu, unfortuantely for Digambar, suffers from a peculiar type of amnesia, although on occasions, her mind randomly picks up incidents from the past. To put it simply, Renu lives in the present and her father in the past.
Life takes a turn when one day the local police arrest Renu on a murder charge. After exhausting all his options, Digambar takes it upon himself to find out what happened that fateful night. It takes him to a point where he faces a moral dilemma. His one decision is going to decide his daughterтАЩs fate.
4. Paani:
Paani (transl. Water) is an Indian Marathi-language drama film directed by Adinath Kothare[1] and produced by Priyanka Chopra Jonas[2] and Madhu Chopra under the banner of Purple Pebble Pictures.[3][4] The film stars Addinath Kothare and Rucha Vaidya in Lead roles, While Subodh Bhave and Kishor Kadam appears in supporting roles. In 2019, the film won the National Film Awards for Best Film on Environment Conservation.[3][5][6] Paani was released theatrically on 18 October 2024.[7] The film is based on the real-life efforts of activist Hanumant Kendre to improve the water supply in his drought-prone village in the Marathwada district. Pani movie is very inspirational movie for drought areas
Plot
Addinath aka Hanumant Babu Kendre is an ordinary man living in a Nagderwadi, a village in Nanded, plagued with drought. Paani follows his journey towards making the village independent of water, all while dealing with local goons, a budding romance, and other disruptions of daily life.[1] Hanumant KendreтАЩs marriage got called off by the girl SuvarnaтАЩs family due to water crisis in his drought prone village. Hanumant promised the girl that he would marry her the day he resolves this crisis in his village. "Will you wait for me?" He asked. What unfolded ahead is a breathtaking true story of human endeavour driven by love.
5. Ghath:
Ghaath weaves a gripping tale of trust, betrayal, and ambush. An undercover Maoist stalks a cop who killed his brother, while the officer plots the surrender of a disillusioned MaoistтАФa fugitive smitten with a tribal woman, fleeing his own cadre. In the shadowy forests of conflict, loyalties fracture, and identities blur between hunter and prey.
6. Gharat Ganpati:
In the intricately woven and riotously funny family drama & quote;Gharat Ganpati,"e; chaos and
cultural dissonance erupt during the vibrant Ganpati festival in the idyllic Konkan region.
Ketan, a carefree young man, disrupts his eccentric and tightly knit Gharat family by bringing
his spirited Delhi girlfriend, Kriti, into their insular world. What begins as a simple
introduction soon spirals into a web of cultural clashes, family tensions, and misunderstandings.
Set against the richly textured backdrop of the festival, the film captures the interplay of joy,
sorrow, and the peculiarities of an Indian family steeped in tradition yet facing change. Kriti,
unfamiliar with joint family dynamics, struggles to find her place within the Gharat family's
expectations. Her journey is both poignant and profound.
As the festival unfolds, the family's perceptions of Kriti begin to shift, revealing the
complexity of relationships and beliefs. "e Gharat Ganpati quote; delves into themes of acceptance,
evolving traditions, and the intricate bonds that hold a family together. Through laughter,
tears, and introspective moments, the film offers a rich exploration of love, identity, and the
collective spirit of Indian culture, all set within the vibrant ambiance of the Ganpati festival.
7. Gulkand:
There are at least 10 known health benefits of `Gulkand`. This film is about the 11th and perhaps the most important benefit - Happiness! A film as sweet, fragrant & healthy as the condiment itself. Nostalgia re-creates relationship drama like no other emotion. When young lovers unite - the whole world conspires to challenge them at every step...but what happens when `older-lovers` re-unite?
8. Jarann:
The protagonist of the film is Radha, a 40-year-old woman working in the IT industry. She lives in Pune. Currently, she is alone because her husband is abroad for a few months on work. A while ago, Radha had gone on a trip with her family when they met with an accident. Recovering from that accident brought immense stress upon her. Because of this, she is currently undergoing counseling with a psychiatrist.
Just then, Radha gets a call from her parents who live in Konkan. Her father has decided to redevelop their ancestral mansion there. Before demolishing the house, theyтАЩve arranged a small get-together with their relatives.
Radha, excitedly, decides to go to Konkan with her daughter Sai тАУ back to the very place where she spent her childhood.
But RadhaтАЩs childhood was far from simple. It carried a curse. The curse of GangooтАЩs Jaaran!
Back in her childhood, a forty-something widow named Gangoo lived as a tenant in their mansion. Gangoo was deeply interested in black magic and rituals like Jaaran-Maaran. The villagers kept their distance from her because of her eerie presence. RadhaтАЩs mother strongly disapproved of GangooтАЩs practices and one day threw her out of the house, half-dressed, in humiliation.
To take revenge for this insult, Gangoo cast Jaaran on young Radha. The trauma Radha experienced left a deep impact on her mind. She even needed psychiatric help as a child to recover from it. Over time, she moved on.
Radha and her father still donтАЩt believe in black magic. They think what Gangoo did was not witchcraft but a psychological wound. But RadhaтАЩs mother still firmly believes in the curse.
Radha returns to the mansion for the get-together, and her past begins to awaken once again. It all starts when she accidentally enters an old, locked storage room тАУ the very room where Gangoo once lived. There, she finds a doll from her childhood. Gangoo had used this doll to perform the Jaaran on Radha.
Despite her motherтАЩs warnings, Radha insists on taking the doll back with her to Pune.
Once she returns, a terrifying chapter begins to unfold in her life. Events start happening around her that make her feel that what Gangoo did was not just superstition, but real black magic.
What follows is the story of how RadhaтАЩs entire life takes an unpredictable, unbelievable, and terrifying turn.
9. Kurla te Vengurla:
This is the story that explores the complex issues of identity, tradition, and
modernity in a small town setting. The film's focus is on three different couples
with unique love stories which add depth and perspective to the narrative.
The first couple, Anand and Gauri are newly married, but their marriage hits a
rough patch when Anand decides to return to their hometown leaving the job
in the city. This decision shakes Gauri's all dreams. She decides to go back to her
parents leaving Anand & warns him that she will get back only when he will
settle in Mumbai.
The second couple, Sharmila and Nandu are in love, but Sharmila's father is
against their union because he is looking for a well-settled groom from Mumbai.
Sharmila is a rebellious girl and chooses to run away with Nandu.
The third couple, Parimal & Asmita. Parimal's entrepreneurial spirit and Asmita's
academic pursuits add another layer to the film's story.
This film is about the struggles of young men trying to find partners willing to
settle down in their hometown and the journey of women who wants to marry
men from metropolitan cities.
Overall, this rom-com film seems to offer a nuanced and heartfelt portrayal of
people living in rural areas with the celebration of the beauty and richness of
Konkani culture and tradition.
10. Sthal:
In rural India, a determined young girl, Savita, yearns for education and a bright future.
However, as her farmer parents anxiously struggle to find a suitable match for her, societal
expectations place immense pressure on her to prioritize marriage over personal aspirations.
Facing countless rejections from suitors, she must navigate a world where the pursuit of
marriage overshadows the very sustenance of life. Shot with non-actors from the village, Sthal
(A Match) is the director's debut feature film.
11. Susheela Sujit:
Susheela a middle-aged housewife finds herself unexpectedly locked in a room with Sujeet, a repairman who shockingly resembles someone . What follows is a rollercoaster of emotions, humour, and unexpected twists that challenge their lives and relationships. A heartwarming slice-of-life joyride!!
12. Vidyapeeth:
Vidyapeeth is a hard-hitting tale of a woman's strength and resilience in the face of all possible adversities.
Shashi, the protagonist, is a woman hailing from a remote village and belonging to a backward caste. Shashi's mother dies barely a few weeks after giving birth to Shashi, leaving behind a life full of challenges for her only daughter.
A cruel stepmother, a negligent father, underage marriage and an abusive husband add to Shashi's trauma from a young age.
Her sole supporter, first literally and later figuratively, is her grandmother. In the face of challenges that weigh Shashi down, her grandmother sets her on the path of education.
Her thirst for knowledge, her love for the written word and her resolve to better her life help her get a solid education and standing in society.
A victim of circumstances, Shashi gradually emerges into an independent and confident young woman willing to fight for every bit of the respectable life that she has rightfully earned for herself.
13. Ata Thanbaycha Naay:
Ata Thambaycha Naay is an inspiring and heartfelt Marathi film based on a true story from the heart of Mumbai. It follows a group of BMC (Brihanmumbai Municipal Corporation) sanitation workers in their 40s and 50s who make an extraordinary decisionтАФto return to school and appear for their 10th standard
exams. Amidst demanding jobs, family pressures, and societal ridicule, they choose courage over compromise, proving that itтАЩs never too late to reclaim self-worth and dignity. This is not just a story of exams passedтАФit is a salute to resilience, self-respect, and the transformative power of education. - World Premieres:
1. Asa Mee Ashi Mee:
Starring: Ajinkya Deo, Tejashree Pradhan, Madhav Deochake, Yashashri Masurkar , Krishnakant Jagannath Keni and Others
Directed by: Amol Shetge DOP: Sopan Purandare
Produced by: Sachin Nahar, Anish Sharma
Co-Produced by: Amogh Malviya, Suresh Govindray Pai
An ace photographer is hired to shoot a campaign for a travel agency run by an Indian lady based in the UK. Sparks fly between both as they spend time knowing each other. However, there is one catch. The photographer is a compulsive playboy and does not believe in love and monogamy. The lady on the other hand falls for the irresistible charms of the man, only to realize that he will not change his ways, leading to an awkward distance between both. Will the two get back together? Will love blossom again?
2. Aatli Baatmi Futli:
On the run from the cops, desperate accidental criminal Sachin ducks into what looks like an empty room in a crumbling Mumbai chawl тАФ only to find it already occupiedтАж by a deranged old man plotting the cold-blooded murder of his wife. Trapped inside with no way out, Sachin is dragged into a twisted spiral of lies, traps, and lunacy тАФ where survival means outsmarting a man whoтАЩs been planning a murder longer than SachinтАЩs been alive.
3. Janani:
A lawyer is faced with shocking revelations about the changed practices in the agricultural sector.
Practices, that he believes, have ailed the universe we live in. This man is a firm believer that the
entire ecosystem is one big family, and not just a few humans living under a roof. The gravity of
things unsettles him to the core and he decides to do everything in his capacity. Unable to make
peace with the human-centric scientific developments, he sets out to seek answers to the questions
that haunt him.
4. Drushya Adrushya:
тАЬDrishya AdrishyaтАЭ is a gripping tale set against the serene yet mysterious backdrop of a picnic spot, where a young girlтАЩs sudden disappearance triggers a series of unsettling events. The film delves deep into human emotions, societal complexities, and the thin veil between the visible and invisible forces that influence lives.
The narrative unfolds through the perspectives of the girlтАЩs family, local authorities, and bystanders, each grappling with fear, uncertainty, and hidden truths. As tensions escalate and secrets surface, the story evolves into a powerful exploration of faith, fear, and reality. Blending raw realism with emotional intensity, the film reveals how unseen psychological, societal, and spiritual forces drive human actions and decisions.
5. Jitraab:
Jitraab, the story, reveals the apathy of the social system which, on one hand, worships the Cow as a God but, on the other hand, is insensitive to the real and routine problems that farmers face while tending to these Cows. Namdeo is a farmer whose fate depends solely on the rains. It has become
extremely tough for him to tend to his cow due to the persistent famine. The cow, Rani, is no longer producing milk, and Namdeo can no longer afford her fodder because his family needs the money to make ends meet. With a heavy heart, Namdeo tries to sell Rani, but no one will buy her because she doesnтАЩt produce milk anymore. Namdeo is troubled by the problem of getting rid of the cow. Namdeo comes across several people who talk lovingly and respectfully about the cow, but none is ready to take responsibility for her. Namdeo is disheartened and finds himself helpless. His destiny brings him from a village to the big city of Mumbai. In Mumbai, Namdeo finds a unique solution that will not just solve RaniтАЩs problems but also those of hundreds of old cows like Rani who have now stopped producing milk and have therefore been rendered тАШuseless.тАЩ - Smart Stories: Using AI to Enhance Creativity - Workshop on using AI for creating content by Mr. Manish Kumar on 8th August.
- Shortfilms by Goans:
Ek Cup Chya , Karz.
- The band provided has to be tightly strapped to your wrist during the entire festival.
- This band once worn, is not removable and hence has to be worn only on the days of the festival.
- In case of any difficulty in wearing the band you may contact help desk/organizers.
- Each band allows entry for one person only.
- The band is not transferable.
- Persons with tampered or torn bands will not be allowed inside the theatre.
- Tampered or torn bands can be exchanged at the help desk counter at a nominal fee of Rs. 50/-on handing over the old band.
- Children below 6 years will not be allowed in the theatre.
- Registration is compulsory for all above 6 years. However, those below 18 years will not be allowed for Adult rated films.
- This registration does not guarantee any seat reservation. The reservations will be first come first serve basis.
- Theatre will have to be cleared/emptied after completion of each film.
- Some seats will be reserved for invitees, sponsors, partners or film personalities. These rights of reservation rests with the organizers. Delegates shall not be allowed to occupy these seats.
- The films schedule will be provided 2 days prior to the festival.
- The organizers reserves the right to alter film timings/screenings without prior notice. However necessary announcements will be made prior.
- The organizers reserves the right to disallow entry to suspected viewers.
The Goa Marathi Film fete 2025, a must-visit event for all film lovers! Goa has a deep love for cinema, and this fete celebrates the amazing world of Marathi films. It 's a chance to see new movies, meet talented, you know, citizenry, and enjoy cultural experiences right here in beautiful Goa. Really, the fete has a rich history, with memorable past event like the popular Goa Mahratti pic Festival 2019 and the excite Goa Marathi Film fete 2022. Many will remember the great experience of the Marathi pic Festival 2022 Goa and the fantastic pic shown during the Goa Marathi Film fete 2022 date. Basically, this event adds to Goa 's vibrant fete scene, which besides includes the famous Goa picture Festival and other India Goa Festival celebrations. Goa is also home to bigger international film events, making it a true cinema hub. Basically, as the Goa Marathi Film fete 2025 approaches, people will be keen to know the Goa Marathi pic fete 2025 schedule. Keep an eye out for updates on when and where the films will be screened. Look, if you plan to attend, be sure to look for Goa Mahratti movie fete 2025 tickets as soon as they are available. Basically, you can expect to see a great selection, from critically acclaimed 2023 Marathi film productions to exciting new Marathi 2023 film releases. The truth is: often, this fete truly showcases the best of goa marathi film, offering something special for everyone.ften, this fete truly showcases the best of Goa Marathi film, offering something special for everyone. Join us for this wonderful celebration of cinema!

